Jalita Aspelin — Head of Brand & Creative
I came to design from the commercial side rather than the art school side, and in a specific order. Marketing first, at Agence France-Presse in Paris, selling sports media products into international markets. Delivery next, three years running digital projects across London agencies — Paul Smith, Jamie Oliver, the Natural History Museum, Harley-Davidson's #DiscoverMore campaign across 32 countries. That order still shapes how I work — understand the business and the audience before touching the design.
Then Shanghai, launching an EdTech company's first China center. Learning a market that owed me no attention taught me the thing that still runs through everything: taste isn't universal, and a brand that works in one market can be invisible in another.
Only then did I move into design properly — Columbia Road, then a decade across the Nordics, South Africa and remote leadership roles, most recently three years as Head of Design at Mailbird, running brand, product and marketing creative for a 4.7 million user product on a two-person team, reporting to the CEO. It's why I can move from commercial strategy to brand to product to execution without losing the thread — sit with a founder on the business case, then turn around and work the experience myself.
Alongside all of it, I kept making things by hand — a studio and gallery on South Africa's Garden Route, a wallpaper collection exhibited at Decorex Cape Town, murals for high-end interiors. It keeps me close to materials, craft, and the joy of making. I'd love to hear what you're building, let's talk.
15+ years connecting brand, product and growth — leading from strategy through to execution, with a bias toward making things happen.
Things I make when nobody's asking.
IKU Studio — a wallpaper and mural collection I design and sell, exhibited at Decorex Cape Town and used in interiors from South Africa to Europe.